VALENTINE PENROSE
Trans. Mia X. Pérez


Goa I



August 31 2026  Translation (Poetry)



Earth that births all earth that births stones
green and red here lies the earth that births grain
between your ground teeth are lamenting cathedrals
on the bottom of moldy floors where banana trees lie
the Indian wrings her dress in this Catholic well.

Portugal leans upon plaster plumes
underneath coconut oil extending its fingers wrinkled
from holy water at the bottom of cloisters faded
from the monsoons rolling over golden altars.

Earth to all mirrors
to all windows
you hold Portugal in your green and red tooth
and the mother-of-pearl and the rat.

                                                                 Your palmy armpits
contain fragrances thrown back by the void
made and unmade by your dark Indian breasts.
In your golden dress holding your altar candles
Portugal’s oil of death and repentance
broken jewels in the sacristies of jungles
all the while you rest
in your southern rooms draped with muslin
the plagues and the plasters with shredded shawls
           here reach an accord.

           What do you see I see my daughters
           what do you see I see mothers
           I see my daughters the stem
           biting their bitter fibers
           I see my daughters the stones
           on the catholic church
           and the crimsons your friars
           hung from the stone granges.

And myself the great parent
here left without a shawl
the saltpeter and the silvers
monks and vicars here
myself the land of everywhere this is how I live.
Terre à tout faire terre à faire les pierres
verte et rouge qui gît terre à faire les graines
entre tes dents rongées geignent des cathédrales
au fond des sols moisis où les bananiers gîtent
l’Indienne tord sa robe à ce puits catholique.

Le Portugal s’accoude aux volutes de plâtre
sous l’huile de coco tendant ses doigts ridés
à l’eau bénite au fond des cloîtres délavés
par les moussons roulant sur les autels dorés.

Terre à tous les miroirs
à toutes les fenêtres
tu tiens le Portugal dans ta dent rouge et verte
et la nacre et le rat.

                                                           Tes aisselles de palmes
ont des senteurs que jette en arrière le vide
que font et que défont tes seins noirs d’Indienne.
En ta robe dorée et tenant tous tes cierges
l’huile du Portugal des morts des repentirs
les bijoux effondrés aux sacristies des jungles
tandis que tu reposes
dans tes chambres du Sud tendues de mousselines
les pestes et les plâtres aux mantilles en miettes
        font ici leur accord.

        Que vois-tu je vois mes filles
        que vois-tu je vois des mères
        je vois mes filles les tiges
        mordant leurs fibres amères
        je vois mes filles les pierres
        sur l’église catholique
        et les cramoisis tes frères
        pendus aux granges des pierres.

Et moi la grande parente
ici laissée sans mantille
les salpêtres et les argents
moines desservants ici
moi terre de partout c’est ainsi que je vis.







Valentine Penrose (1898–1978) was born in Mont-de-Marsan, France to a bourgeois military family. Disinterested in conforming to any social convention, Penrose immersed herself in bohemian circles from a young age. Commonly celebrated as the first woman to publish Surrealist poetry, Penrose’s poems are distinguished by their intertextuality and anachronism, shaped by her lifelong studies in eastern philosophies, medieval history, and magical practice. Restless in the tame suburbs of France and England, she frequently traveled abroad, with long stays in India. She joined the international brigades in the Spanish Civil War and was stationed with French forces in Algiers during WWII. Perhaps best known for the unapologetically queer 1951 gothic novel The Bloody Countess, Penrose authored several works of poetry, prose, and collage before passing away on Farley Farm, the artist commune run by ex-husband Roland Penrose and his second wife Lee Miller.

Mia X. Pérez
is a writer, editor, and translator from Seattle, Washington. Their work has been published or is forthcoming in The Brooklyn Review, AGON, Vestiges (Black Sun Lit), California Quarterly, and mercury firs, among others. Currently a PhD candidate of Comparative Literature at The Graduate Center, CUNY, their research focuses on Romanticism, ecological thought, nature philosophy, and representations of decay. Their translation of the complete poems of Surrealist writer Valentine Penrose, Of Thorn and Wing, is forthcoming this November from World Poetry Books.




ISSUE N˚2


01

Falling

Briony Dawson

 FICTION

02

Goa I
Goa II

Valentine Penrose,
trans. Mia X. Pérez

POETRY (TRANSLATION)

03

The Semiosis of Real Presence

Elizabeth Atherton

FICTION

04

A Day Off

Aloma Rodriguez

FICTION (TRANSLATION)









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